| DAN MOSES SCHREIER P.O. Box 231032 New York, NY 10023 dms@danmosesschreier.com |
| BROADWAY | Theater | Director | Year | |||
| FLYING OVER SUNSET | Lincoln Center Theater | James Lapine | Sound Design | 2021 | ||
| A SOLDIER’S PLAY | American Airlines Theater | Kenny Leon | Sound Design | 2020 | ||
| GARY – A SEQUEL TO TITUS ANDRONICUS | Booth Theater | George C. Wolfe | Sound Design | 2019 | ||
| CORIOLANUS | Delacorte Theater | Daniel Sullivan | Composer | 2019 | ||
| THE ICEMAN COMETH (Denzel Washington) |
Jacobs Theater | George C. Wolfe | Sound Design | 2018 | ||
| THE COLOR PURPLE | 1st National Tour | John Doyle | Sound Design | 2018 | ||
| FALSETTOS (Andrew Rannels) | Walter Kerr Theater | James Lapine | Sound Design | 2017 | ||
| AMERICAN PSYCHO | Schoenfeld Theater | Rupert Gould | Sound Design | 2016 | ||
| TROILUS AND CRESSIDA | Delacorte Theater | Daniel Sullivan | Composer | 2016 | ||
| KING LEAR (John Lithgow) | Delacorte Theater | Daniel Sullivan | Composer | 2015 | ||
| THE VISIT (Chita Rivera) | The Lyceum Theater | John Doyle | Sound Design | 2015 | ||
| ACT ONE | Lincoln Center Theater | James Lapine | Sound Design | 2014 | ||
| A GENTLEMAN’S GUIDE TO LOVE & MURDER | Walter Kerr Theater | Darko Tresnak | Sound Design | 2014 | ||
| THE SNOW GEESE (Mary Louise Parker) | Samuel Friedman Theater MTC | Daniel Sullivan | Composer | 2013 | ||
| CYRANO DE BERGERAC | American Airlines Theater | Jamie Lloyd | Sound Design | 2012 | ||
| MERCHANT OF VENICE (Al Pacino) | Broadhurst Theater | Daniel Sullivan | Composer | 2011 | ||
| SONDHEIM ON SONDHEIM | Studio 54 Theater | James Lapine | Sound Design | 2010 | ||
| A LITTLE NIGHT MUSIC (Catherine Zeta-Jones) |
Walter Kerr Theater | Trevor Nunn | Sound Design | 2010 | ||
| WAITING FOR GODOT (Nathan Lane) | Studio 54 Theater | Anthony La Page | Sound Design | 2009 | ||
| WEST SIDE STORY (50th Anniversary Prod.) | Palace Theater | Arthur Laurents | Sound Design | 2009 | ||
| A CATERED AFFAIR | Walter Kerr Theater | John Doyle | Sound Design | 2008 | ||
| GYPSY (Patti Lupone) | St. James Theater | Arthur Laurents | Sound Design | 2008 | ||
| RADIO GOLF by August Wilson | Walter Kerr Theater | Kenny Leon | Composer/Arranger | 2007 | ||
| SWEENEY TODD (Patti Lupone) | Eugene O’Neill Theater | John Doyle | Sound Design | 2006 | ||
| 25th ANNUAL PUTNAM COUNTY SPELLING BEE | Circle In The Square Theater | James Lapine | Sound Design | 2005 | ||
| ON GOLDEN POND (James Earl Jones) | Cort Theater | Leonard di Folgia | Composer | 2005 | ||
| JULIUS CAESAR (Denzel Washington) | Belasco Theater | Daniel Sullivan | Composer | 2005 | ||
| THE GLASS MENAGERIE (Jessica Lange) | Barrymore Theater | David Leveaux | Composer | 2005 | ||
| GEM OF THE OCEAN by August Wilson | Walter Kerr Theater | Kenny Leon | Sound Design | 2004 | ||
| PACIFIC OVERTURES | Studio 54 Theater | Amnon Miyamoto | Sound Design | 2004 | ||
| AFTER THE FALL (Carla Gugino) | American Airlines Theater | Michael Mayer | Sound Design | 2004 | ||
| ASSASSINS | Studio 54 Theater | Joe Mantello | Sound Design | 2004 | ||
| AMOUR | Music Box Theater | James Lapine | Sound Design | 2003 | ||
| INTO THE WOODS (Vanessa Williams) |
Broadhurst Theater | James Lapine | Sound Design | 2002 | ||
| TOPDOG/UNDERDOG | Ambassador Theater | George C. Wolfe | Sound Design | 2002 | ||
| SHORT TALKS ON THE UNIVERSE | O’Neill Theater | Mike Nichols | Sound Design | 2002 | ||
| DANCE OF DEATH (Ian McKellen) | Broadhurst Theater | Sean Mathis | Composer | 2001 | ||
| MAJOR BARBARA (Cherry Jones) | American Airlines Theater | Daniel Sullivan | Composer | 2001 | ||
| DIRTY BLONDE | Helen Hayes Theater | James Lapine | Sound Design | 2000 | ||
| RIDE DOWN MT. MORGAN (Patrick Stewart) | Ambassador Theater | David Esbjornson | Composer | 2000 | ||
| GOLDEN CHILD | Longacre Theate | James Lapine | Sound Design | 1998 | ||
| THE DIARY OF ANNE FRANK (Natalie Portman) |
Music Box Theater | James Lapine | Sound Design | 1998 | ||
| BRING IN DA NOISE, BRING IN DA FUNK | Ambassador Theater | George C. Wolfe | Sound Design | 1996 | ||
| THE TEMPEST (Patrick Stewart) | Broadhurst Theater | George C. Wolfe | Composer | 1995 | ||
| THE TENTH MAN | Lincoln Center Theater | Ulu Grosbard | Sound Design | 1989 | ||
| OFF BROADWAY | Theater | Director | Year | |||
| BISMARK | Duke University Residensy | Dan Hurlin | Composer | current | ||
| FIDDLER ON THE ROOF (in Yiddish) | National Yiddish Folksbiene | Joel Grey | Sound Design | current | ||
| THE HOUDINI BOX – A Musical Commission | La Jolla Playhouse | Lyrics: Brian Selznick | Composer | current | ||
| AMERICAN PROPHET | Arena Stage, Washington DC | Charles Randolph-Wright | Sound Design | 2022 | ||
| NOIR (Duncan Sheik, Kyle Jarrow) | Alley Theater, Houston TX | Darko Tresnek | Sound Design | 2022 | ||
| HARMONY | National Yiddish Folksbeine | Warren Carlyle | Sound Design | 2022 | ||
| THE UNDERLYING CHRIS – Will Eno | Second Stage Theater | Kenny Leon | Sound Design | 2019 | ||
| CYRANO (Peter Dinklage) | The New Group | Erika Schmitt | Sound Design | 2019 | ||
| WHITE NOISE by Suzan-Lori Parks | The Public Theater | Oskar Eustis | Sound Design | 2019 | ||
| THE SECRET LIFE OF BEES (Duncan Sheik) |
Atlantic Theater Co. | Sam Gold | Sound Design | 2019 | ||
| ALICE BY HEART (Duncan Sheik) | Manhattan Class Co. | Jesse Nelson | Sound Design | 2019 | ||
| AUGUST RUSH | Aurora Theater Company | John Doyle | Sound Design | 2019 | ||
| CARMEN JONES | Classic Stage Co. | John Doyle | Sound Design | 2018 | ||
| DEMOLISHING EVERYTHING W/AMAZING SPEED | Bard – Summerscape | Dan Hurlin | Composer | 2018 | ||
| PACIFIC OVERTURES | Classic Stage Co. | John Doyle | Sound Design | 2017 | ||
| FATHER COMES HOME FROM THE WARS | The Public Theater | Jo Bonney | Sound Design | 2016 | ||
| PEER GYNT | Classic Stage Co. | John Doyle | Composer | 2016 | ||
| PASSION (Judy Kuhn) | Classic Stage Co. | John Doyle | Sound Design | 2015 | ||
| MERRILY WE ROLL ALONG | Encores! City Center | James Lapine | Sound Design | 2012 | ||
| MERRILY WE ROLL ALONG | Cincinnati Play House | John Doyle | Sound Design | 2012 | ||
| TEN CENTS A DANCE | Williamstown Theater | John Doyle | Sound Design | 2010 | ||
| DISFARMER | St. Ann’s Warehouse | Dan Hurlin | Composer | 2009 | ||
| THREE SISTERS | Cincinnati Playhouse | John Doyle | Composer | 2009 | ||
| ROAD SHOW | The Public Theater | John Doyle | Sound Design | 2008 | ||
| KICKING A DEAD HORSE (Stephen Rea) |
The Public Theater | Sam Shepard | Sound Design | 2008 | ||
| OF THEE I SING | Encores! City Center | Lonny Price | Sound Design | 2006 | ||
| STUFF HAPPENS | The Public Theater | Daniel Sullivan | Sound Design | 2006 | ||
| RADIANT BABY | The Public Theater | George C. Wolfe | Sound Design | 2003 | ||
| HOMEBODY/KABUL by Tony Kushner | New York Theater Workshop | Declan Donnellan | Composer/Sound | 2001 | ||
| SPINNING INTO BUTTER | Lincoln Center Theater | Daniel Sullivan | Composer | 2000 | ||
| THE SHOULDER | Long Wharf Theater / DTW | Dan Hurlin | Composer | 2000 | ||
| FAR EAST | Lincoln Center Theater | Daniel Sullivan | Composer | 1999 | ||
| GOD’S HEART | Lincoln Center Theater | Joe Mantello | Composer | 1997 | ||
| FLOYD COLLINS | Playwright’s Horizons | Tina Landau | Sound Design | 1996 | ||
| TWELVE DREAMS | Lincoln Center Theater | James Lapine | Sound Design | 1995 | ||
| DANCING ON MOONLIGHT (Max Roach) |
The Public Theater | Keith Glover | Sound Design | 1995 | ||
| BLADE TO THE HEAT | The Public Theater | George C. Wolfe | Sound Design | 1994 | ||
| KRAPP’S LAST TAPE | Classic Stage Company | Carey Perloff | Sound Design | 1993 | ||
| SPIC-O-RAMA (John Leguizamo) | American Place Theater | Peter Askin | Sound Design | 1992 | ||
| QUINTLAND – THE MUSICAL | Dance Theater Workshop | Dan Hurlin | Composer | 1989 | ||
| LOVE TROUBLE – A Musical | Ontological at St. Marks | Jeffery M. Jones | Composer | 1989 | ||
| ROAD (Kevin Bacon) | Lincoln Center Theater | Simon Curtis | Sound Design | 1988 | ||
| WRITE IF YOU GET WORK – A HORSE OPERA | Ontological at St. Marks | Jeffery M. Jones | Composer | 1997 | ||
| ST. JOAN OF THE STOCKYARDS | Yale Repertory Theater | Liz Diamond | Composer | 1993 | ||
| DEATH OF THE LAST BLACK MAN | Yale Repertory Theater | Liz Diamond | Composer | 1992 | ||
| FILM IS EVIL, RADIO IS GOOD |
Experimental Theater Wing NYU | Richard Foreman | Composer | 1987 | ||
| MISS UNIVERSAL HAPPINESS | The Wooster Group | Richard Foreman | Sound Design | 1986 | ||
| THE BATHROBE OF GEORGE BATAILLE | Festival d’Automne, Paris | Richard Foreman | Sound Design | 1984 | ||
| THREE ACTS OF RECOGNITION | The Public Theater | Richard Foreman | Sound Design | 1984 | ||
| EGYPTOLOGY | The Public Theater | Richard Foreman | Sound Design | 1983 | ||
| Moliere’s DON JUAN |
The Delacorte Theater | Richard Foreman | Sound Design | 1982 | ||
| PENGUIN TOUQUET | The Public Theater | Richard Foreman | Sound Design | 1981 | ||
| WHERE’S THE BEER FRITZ | IRT Theater | George Ferenzc | Composer | 1980 | ||
| SPECIAL PROJECTS | ||||||
| MOTEL | Gallery Installation/Dan Hurlin | Dan Moses Schreier | Sound Artist | 2022 | ||
| THE AVIARY (…and your birds can sing) | Sound Installation | Dan Moses Schreier | Sound Artist | 2019 | ||
| FIDDLER ON THE ROOF in Yiddish | Cast Album | Dan Moses Schreier | Assoc. Producer | 2019 | ||
| DEMOLISHING EVERYTHING W/AMAZING SPEED | Holland Festival-Amsterdam | Dan Hurlin | Composer | 2018 | ||
| THE TEMPEST | Theatre Royal Bath, England | Adrian Noble | Sound Design | 2012 | ||
| RABBIT AND ROGUE (Danny Elfman) | Metropolitan Opera House, NY | Twyla Tharp | Sound Design | 2008 | ||
| RISE AND FALL OF THE CITY OF MAHAGONNY | Los Angeles Opera | John Doyle | Sound Design | 2007 | ||
| TOPDOG / UNDERDOG | Original Soundtrack | Dan Moses Schreier | Producer | 2002 | ||
| THE SHOULDER | Innova Recordings | Dan Moses Schreier | Producer | 2000 | ||
| AWARDS |
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| CARMEN JONES | Lucille Lortel Award | Outstanding Sound Design of a Musical | 2019 | |||
| THE ICEMAN COMETH | Tony Award Nomination | Outstanding Sound Design of a Play | 2018 | |||
| PACIFIC OVERTURES | Drama Desk Award Nomination | Outstanding Sound Design of a Musical | 2018 | |||
| AMERICAN PSYCHO | Drama Desk Award | Outstanding Sound Design of a Musical | 2016 | |||
| ACT ONE | Tony Award Nomination | Outstanding Sound Design of a Play | 2014 | |||
| ACT ONE | Drama Desk Award Nomination | Outstanding Sound Design of a Play | 2014 |
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| GENTLEMAN’S GUIDE TO LOVE AND MURDER | Drama Desk Award Nomination | Outstanding Sound Design of a Musical | 2014 |
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| PASSION | Drama Desk Award Nomination | Outstanding Sound Design of a Musical | 2013 |
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| MERCHANT OF VENICE | Drama Desk Award Nomination | Outstanding Music in a Play | 2011 | |||
| A LITTLE NIGHT MUSIC | Tony Award Nomination | Best Sound Design of a Musical | 2010 | |||
| SONDHEIM ON SONDHEIM | Tony Award Nomination | Best Sound Design of a Musical | 2010 | |||
| GYPSY | Tony Award Nomination | Best Sound Design of a Musical | 2008 | |||
| SWEENEY TODD | Drama Desk Award Nomination | Outstanding Sound Design of a Musical | 2006 | |||
| ASSASSINS | Drama Desk Award | Outstanding Sound Design of a Musical | 2004 | |||
| JULIUS CAESAR | Craig Noel Award | Outstanding Original Music | 2004 | |||
| INTO THE WOODS | Drama Desk Award | Outstanding Sound Design of a Musical | 2002 | |||
| HOMEBODY/KABUL | Lucille Lortel Award Nomination | Outstanding Sound Design | 2001 | |||
| GOD’S HEART | Drama Desk Award Nomination | Outstanding Sound Design of a Play | 1997 | |||
| FLOYD COLLINS | Drama Desk Award | Outstanding Sound Design of a Musical | 1996 | |||
| SPIC-O-RAMA | Drama Desk Award Nomination | Outstanding Sound Design of a Play | 1993 |
| GUEST LECTURER |
| New York University – Music Theater Graduate Program |
| Princeton – Drama Division |
| Yale School of Drama |
| University of Miami – Opera Department Graduate Studies |
| Sarah Lawrence Theater Department |
| Dreyfus Fellow at The MacDowell Colony |
| EDUCATION |
| University of Michigan (1974-75) |
| Columbia University (1976-78) |
| New York University – The Gallatin Division- BA 1979 |
| The Juilliard School – Lila Acheson Wallace Scholarship (1980) |